Issue 01
Issue 01 of Truffle is the magazine I always wanted to read. A rollercoaster of emotions; irreverent, funny, moving.
Our brilliant contributors are based around the world, and their stories vary in content as much as they do in form; from delicious bites of escapism to intimate, poignant pieces. A huge thanks to each one of them for helping build something so dear to me.
I hope you, reader, enjoy the ride and come back for more.
Editor
Tina J. Bowman
@tinajbowman
Contributors
Wednesday’s Child by Lisa Ferranti
How to Make Dominoes Fall by Mandira Pattnaik
Birds We Had Become by Cathy Ulrich
Coffee with David Lynch by Thomas Morgan
Eighteen (More) Reasons to Dump Your Girlfriend by Dylan Brie Ducey
Mr Capone Was Our Milkman by Christopher P. Mooney
Evidently Lovestruck by JY Saville
Stakeout by Lori Cramer
Airport by Brian Coughlan
Lord of the Fly by Gale Acuff
MTA Missive by Jacqueline Brown
Firework Nights by Rebecca Harrison
Predicting Destruction by Yash Seyedbagheri
Design by Nadia Castro @nadiacastro.uk
Wednesday’s Child / Lisa Ferranti
It started with my days-of-the-week panties. I’m too old, I said, but you insisted we buy them. Said they were sexy. Striped beach ball Monday. Thursday’s American flag. Your favorite: Sunday’s over-sized sunglasses. Better to see you with, my dear, you said the day we moved in together, pulling them down with your teeth.
But now it’s a months-later Wednesday and I’m brushing my teeth before bed, and you say Where’s the camel? And at first I wonder what the hell you’re talking about but then I see you staring at the bumblebee on my crotch, the delicately embroidered Tuesday above it, and I roll my eyes, toothpaste dribbling down my chin.
When you first lost your job and took over the cooking and cleaning, it was fine, fun even, you joking you’d be my manservant until you found something. That first day I came home from work, you wearing my red apron with nothing beneath it, moo goo gai pan steaming on the stove. But then you had a bad interview, and another, and unemployment was ending, and you went ballistic last time I called for Chinese take-out, huffing and puffing about your food not being good enough.
For your birthday I bought you a bamboo steamer that made the rice just-right sticky. It came in a box too big for it, wrapped in sheets of bubble wrap. We had cake and wine—too many pieces, too many glasses—and spread the wrap on the floor, jumped on it. Pop. Pop. POP. The neighbors pounded the walls.
Now, I rinse my mouth, wash my face, linger in the bathroom, feeling you waiting for me in bed. I climb in and before I can lay my head down, you say, So where are they? And I know you mean Wednesday’s camel undies, but I don’t answer, and you say maybe I left them somewhere, perhaps at Jack-from-work’s house after the supposed business dinner last week. I say maybe they got lost in the wash, but you say that only happens with socks.
I stomp from the bedroom to the kitchen, noticing how dust has settled on the table, mail piled up, mostly bills, with a China Garden coupon on top, and I miss the times we ordered take-out together, joked with the sweet delivery man, whose row of tiny teeth resembled kernels on a dried ear of corn. I take the bubble wrap from the pantry closet, knowing now that we’re not going to make it over the hump. I call for you, wait for you to come to the kitchen. I wrap you in bubbles, turning you round and round, hugging your body tight with plastic—like a mummy, a cocoon—careful to leave an air hole. I try to cushion the blow, but it has to be done, before you eat me alive.
Lisa Ferranti's fiction has been a Top 25 finalist in a Glimmer Train Family Matters contest, twice short-listed for the Bath Flash Fiction Award, and a Reflex Fiction contest finalist (nominated for Best Small Fictions 2019). Her stories have appeared in Literary Mama, BFFA Anthologies Two and Three, Reflex Fiction, Spelk Fiction, New Flash Fiction Review and Lost Balloon (Wigleaf Top 100 2019). She lives near Akron, Ohio, with her husband and two children. Twitter: @lisaferranti
How to Make Dominoes Fall / Mandira Pattnaik
Okay donkey! You’re broke.
The dominoes are falling. But then they aren’t falling yet; unless you help the pieces --- nudge them, shove them, only slightly!
You are a--- a medium-built, middle-aged man. Emerge from your ten-year-old second-hand Ford, leave the engine running, climb the low railing of Colorado Street Bridge, and in the cover of darkness dive into the bone-chilling waters below.
Now the following pieces, precisely arranged beforehand, cause the dominoes to fall!
You can skip steps except for #3, #6 and #8. Go to #13.
Amanda loves silk. She has a fetish for everything oriental. She paces in her hallway in her burgundy silk kimono, snapping fingers. She dials Jennifer, her manager. They have a heated conversation. Jennifer can’t believe Amanda can be this irrational. But a human as rational being is way too overrated. In order to defy the seemingly immovable order of things, she argues ‘out of the box’. But there’s no box! Amanda hangs up on her. Later, she can imagine Jenny raging. Amanda knows she’ll order food delivery. Jenny always feels hungry when she’s upset.
Jennifer tells her boyfriend Dennis, who’s waiting at the Newark airport, that she’d just been fired. Soon he’ll be on a flight to the Middle East. Jenny understands he should not be disturbed but she alternates between sobbing, howling, raging and abusing Amanda. Dennis can only listen and be careful not to sound inattentive. Jenny keeps the phone down. Her heart seems light. Then she waits at home after ordering food and drinks on a delivery app.
When she answers the doorbell expecting pizza, she finds a wet, dripping man.
Jennifer’s delivery man is the first person who discovers the car idling on the Colorado Street Bridge. He calls the cops and waits at the spot with hot pizza turning cold.
Several hours of water down the river, a pale woman listens to Amanda’s ‘Cherry’ on her headphones, lazes on a picnic chair on a sunny morning and thrums her fingers on the lawn table. Her two children play with the dog on their grass abutting the river.
The car is traced to belong to one Salume, who is a medium-built, middle-aged man. He hurriedly puts on his bathrobe when officers come calling. There’s no pause or confusion when he says his wife Sasha had gone to her mother in that car.
The mother says she’s not seen Sasha for two months and that she thinks the couple is in Cyprus holidaying. She talks of their last conversation a week ago, when nothing seemed amiss. The lady, in dark mahogany tweed trousers, expresses surprise that her son-in-law was at home.
The son-in-law nurses a drink at a bar while Amanda sings on TV. It’s the awards night that has the highest TV ratings. His wife is still untraceable. Salume blows a kiss towards Amanda. Upon receiving a text message shortly after, he leaves.
Police recover a body, white and bloated, hopelessly disfigured, identified as Sasha’s by her mother. They close the case --- Sasha jumped from the bridge; killed herself.
One of the boys playing with the dog claims it was a man who jumped when the family is watching news of the body being found. He was out round a bonfire at their lawn by the river that night. It was a man’s silhouette against the lights on the bridge, he keeps repeating.
The boys’ mother calls the police. Constable Caesar visits them next morning, wearily takes down details. He knows he won’t reopen the case. He understands his department wouldn’t be interested in a thirteen-year-old’s farcical statement.
Caesar is called again that morning. There’s a fire at Jennifer’s home and cops learn she’s been missing since her corporal boyfriend left for his deputation.
Amanda fastens her seat belt, doesn’t keep the handbag in the overhead bin but between her legs and exhales deeply. You do likewise, seated next to Amanda.
You two don’t share a glance though you’ve been checked into the flight as Mr. and Mrs. Salume. When you land at Colombo, the humid air makes you sweat.
There’s Sasha, your wife, at the arrival gates; she pulls at your handbag stashed with the insurance money of her death.
Amanda whispers a quick thank you in your ears before she calls a cab, slides the bag with her unaccounted, tax-dodged cash and asks the driver to make it as fast as he can.
Mandira Pattnaik weaves stories drawing from the mundane which she stretches till the improbable. She's recently appeared on Cabinet of Heed, Commuterlit, DoorIsAJar, RuncibleSpoon, (Mac)ro(mic), Lunate and Eclectica. Fiction is forthcoming from Spelk, FictionBerlin, Brilliant Flash and Star 82. Just for the record, she doesn't intend to follow what she's framed! Tweets are @MandiraPattnaik
Birds We Had Become / Cathy Ulrich
We were birds all that summer, and our sisters gathered in each other’s open-window bedrooms, painted their nails the color of ripe banana skins, said how much they missed us, said how quiet it had become.
All we hear is birdsong, they said.
We were birds and our girl-faces on trash-can milk cartons that summer, and our mothers sad on the phone with the police, is there any word, is there any word, and we fluttered our wings near the kitchen windows, already we loved our wings, already we forgot our human voices.
We sat in the skinny branches of wind-sway trees and watched the slump-shouldered walks of our fathers to their cars, we watched the boys drive in their red rumbling cars up and down the street, and the silhouettes of our sisters at their windows, looking out at the world, the great wide world, and we tucked our heads under our feather wings to sleep.
And in the mornings, our families sitting at their breakfast tables, and how they didn’t speak, not to each other, quiet in their emptiest mornings, and we were perched under the roof eaves, called out to them: we’re here, we’re here in the flutter-sweet language of the birds we had become.
Cathy Ulrich hasn't painted her fingernails since junior high. Her work has been published in various journals, including Adroit, 100 Word Story and CutBank.
Coffee With David Lynch / Thomas Morgan
“Say I had the power to grant you one wish,” his wife said. “What would you wish for?”
“Hmm...” her husband said. “Can it be anything?”
“It can be anything you want,” his wife said. “Just name it.”
“Okay,” her husband said. Her husband thought long and hard about what he wanted. And then it came to him.
“I’ve got it!” her husband said. “I would wish to have coffee with David Lynch. God, that would be great. We’d go to a diner-like The Double R Diner from Twin Peaks – and we’d sit in a booth with red leather seats, and there would be one of those napkin dispensers on the table. Then the waitress would come over and pour two cups of hot black coffee. She’d ask us if we wanted anything to eat – a slice of cherry pie, perhaps. We’d order two pieces of hot cherry pie with a side of vanilla ice cream – and I mean real vanilla ice cream with those tiny black pods in it, not that cheap artificial crap you get from the supermarket. Then the waitress would go and get us our pies.
We’d both take a few generous sips of delicious black coffee while we sat there waiting for our pies. ‘This is good coffee,’ I’d say. ‘Damn fine coffee,’ he’d say. Then I’d take another sip of my coffee, and he’d say, ‘Wait until you try it with the pie and ice cream. That’ll be a fine experience.’ Then I’d say, ‘You ever put milk and sugar in your coffee?’ Then he’d stare at me for a second and say, ‘Do I ever put milk and sugar in my coffee? Get real!’ I’d laugh at this.
After a couple of minutes, the waitress would bring us our freshly-baked slices of cherry pie. We’d each cut into our pies and put a piece on the end of our respective forks – adding a bit of that smooth vanilla ice cream with those tiny black pods inside of it – and then we’d clink our forks together like they were pint glasses full of beer. ‘Cheers,’ we’d say. Then we wouldn’t talk for a while because we’d be concentrating on our pies, washing every delicious bite down with some of that damn fine black coffee.
Then David would light up a cigarette and offer me one. Even though I’ve never smoked in my life, I’d accept his offer and have a few puffs with my coffee. Coffee and cigarettes are supposed to go well together. That’s what I’ve been told.
Anyway, when we’d finished eating our pies, the waitress would come over with some more of that damn fine black coffee, and we’d probably talk about Twin Peaks and transcendental meditation and that yellow wristwatch he wore in David Lynch: The Art Life before it was time to pay for our coffee and pie. David would pay. ‘I’ve got this, champ,’ he’d say. ‘I insist.’ He’d get out his wallet and pay for the coffee and pie, leaving a very generous tip for our lovely waitress. And then I’d come home and tell you all about it.”
“Wow,” his wife said. “You’ve really thought about this, haven’t you?”
“Absolutely,” her husband said. “It’s important to me.”
Then his wife looked at him with a big smile on her face and said, “Guess what?”
“What?” her husband said.
“I knew that that’s what you would wish for,” his wife said.
“No, you didn’t,” her husband said.
“Oh yeah?” his wife said.
There was a knock at the door.
Her husband looked at her and smiled. “What have you done?” her husband said.
“I don’t know what you’re talking about,” his wife said. “Just go and get the door.”
Her husband walked out into the hallway and looked over at the front door. He could see the outline of a figure with elevated hair through the blurred glass. Was he about to meet his hero?
Her husband took a deep breath. Then he opened the front door to find a pizza delivery man standing in front of him.
“Hello,” the man said. “Pizza delivery.” The man took the pizza out of his special pizza bag and handed it over. “Have a nice evening,” the pizza delivery man said. Then he got back in his tired old Ford Focus and drove off.
Her husband shut the front door, walked back into the kitchen, and stared at his wife for a second.
“What are you looking at me like that for?” his wife said.
“I don’t know,” her husband said. “It’s just, for some reason, I thought David Lynch would be standing on the other side of the door.”
“Why on earth would you think that?” his wife said.
“Well, you know,” her husband said. “You kind of made it seem like you had arranged it.”
“What? Don’t be ridiculous,” his wife said.
“Then how did you know that I would use my wish to have coffee with David Lynch?” her husband said.
“Because I know you,” his wife said. “We’ve been together for over twenty-five years.”
“Oh, right,” her husband said.
“It was just a hypothetical question,” his wife said. “Jesus, Darren, I’m your wife, not a fucking genie.”
Thomas Morgan is a writer from Worthing in West Sussex. His short story 'Promises' was published in the 2019 Leicester Writes Short Story Prize Anthology, and his flash fiction story 'Encounter' was published in the online anthology, Visual Verse. Twitter: @tommorgan97
Eighteen (More) Reasons to Dump Your Girlfriend / Dylan Brie Ducey
She’s a prude: She refused a three-way with you and your ex-girlfriend.
She doesn’t know who Borges is. In a conversation, you referred to Borges, and she said, “Who is that? Who is Borges?”
She published a poem in a journal that rejected you.
She went to a state college.
She went to a private college.
She didn’t go to college at all.
She criticized you for not having gone to college, which was actually a secret you were trying to keep.
She suggested that the Situationist International was a fraud, a front set up by Guy Debord to help him get laid. You took this one personally. You found it insulting, especially considering how much time you spent as a Situationist yourself. After all, you know two people who actually met Guy Debord.
She showed you a photograph of Guy Debord and asked if you’d chosen your lavender-tinted glasses so that you could look like him.
In a moment of weakness, she said she loved you. You pitied her, and that was sad.
When you told her that the matching towels in her bathroom were a sign that she was hopelessly bourgeoise, she started crying.
She said she was also from Dallas and asked you what neighborhood you grew up in and where you’d hidden your accent. But you never told her you were from Texas. How did she know?
She reads Vogue.
She ate veal once, and liked it.
When you went to a café with her, she asked the barista, loudly, “What is a ristretto?” Really embarrassing.
She’s too fat.
She’s too thin.
She’s promiscuous: She asked you to sleep with her and her ex-boyfriend. Yeah, the handsome one. You’d never measure up.